What If the RepubliCants Were in Charge?

 
I wrote an earlier version of this poem on a friend’s blog a few weeks ago. I finally had time to do a bit of editing and publish it here.
 

What if the RepubliCants won
And a new Dark Ages begun?

Would Texas Creationists done
Put God and prayer in classrooms?
Same-sex marriage is abandoned,
And Gays and Lesbians sanctioned.

English required for election,
And for the right to vote for goons
Who say terrorists seek our doom.
No health care? There’s room in a tomb.
Taking charge of a woman’s womb
,Repealed the right to abortion.

Factories and mills wildly run
With CO2 laws soon undone
Burning oil and coal by the ton
Globe sears hot in a blazing sun.
The gap between rich and poor gone
The rich all the money have won,

Along with water rights, and the guns
And of opposition, there is none.
Is this America in 2021 –
If the RepubliCants the country won?

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Cows and How; Who Gnu?

 
 

               Massachusetts smells like roses

            According to the EPA.

            Explains the pricks I see each day. 

                                                   http://bit.ly/auKgRi

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The Oysters of Apalachicola Bay

 
  When I was a young reporter working for the Panama City New-Herald sometime back in the last century, I used to take my dinner hour at a small bar where I could buy a pitcher of beers for $1 and raw oysters for ten cents apiece (plus all of the crackers and cocktail sauce you could eat).
 
  The oysters, of course, were from Apalachicola Bay, three-years old, three inches broad and the tastiest warm-water oysters in the world. The real treat were those that came from Big Bayou near Saint Vincent Island that were actually harvest by fisherman in small boats using tongs. I read somewhere that the Apalachicola Bay is the last place in the world where wild oysters are still plucked from the seabed by hand with tons.
 
  That tells you right there that the majority of the fishermen live a tenuous life, totally dependent upon the natural and pristine environment.
 
  That bar in Panama City is long gone I understand and the best places to get oysters these days are Hunt’s Oyster Bar in Panama City and either Papa Joe’s on Market Street or Boss Oyster on the river, both of the latter in Apalachicola.
 
  But you’d better hurry. There’s an oil slick headed their way and it may years before we can recover from its ecological impact. And yes, I care about the oysters, but these creatures are only a very small part of the ecological system of the Gulf Coast. I cringe even to think about the wildlife, the fishes, the animals, the birds, that will be harmed and even killed.
 
  If it turns out that Bristish Petroleum cut corners, did not use the proper safety equipment, or otherwise contribute to this disaster, I hope we pursue both the company and the politicians who allowed this situation to exist. And I hope we really start to think intelligently about the harm we do to nature and what we can do regulate and control all our destruction of nature from the coals fields of Appalachia to strip mines in the West to the oil fields in the Northwest to the platforms in the Gulf of Mexico.
 
  Not just for us, but for our children.
 

Beach, sun, sand. Hotter.

Children splash, sputter. Laughter.

Corks bob in water.

 
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The Three Who Came

 

There were only three. The first, a gray, a stillness,

and held to fall to me; this, the first of three.


The valley was still, and dead,

By God and man, the last

And though I raised my yearning hands

And shouted and implored, there came naught from eternity,

But just my voice again.

 

There were only three. The first, a gray, a stillness,

And held to fall, to me: Dare you challenge the screaming shell,

Tear asunder, man-made Hell? A breath, a whisper, not here,

But there: I cannot take you. I cannot take you.


A night forgotten, an echo lost in mortal dust and left denied.

Yet held the endless, shadowed time, the second one of three,

Laughing. I cannot take you. I cannot take you.


There were only three. Dying wonder, those who came

And held to fall to me. Lost, in shattered time

Where desertion’s strife boils and teams. Of three. Not faith,

Not Hope. I cannot take you. I cannot take you.


Then came the third, only one, yet all of three

And silent Death held to me, softly whispered.

I will take you. I will take you.

 

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Reflections on Memories Only Half Fulfilled

 
I was thinking . . . about what I wrote last night, about what remembered, about what and why I write . . .
 

The pen conquers dark

writing of light. Conquers death

by writing of life.

 

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A Travelogue in Time

 

Paper and pen. Write.

I don’t recall how or why.

Came the glare. The light.

 
The short haiku-styled poems that I ofen write for The Poetry Blog such as yesterday’s entry and A Visit to New York City, in Hiabun, on April 8, is a form of poetry-prose that some view as a kind of travelogue that combines both narrative and one or more haiku, particularly in the sense that the haiku derives from the haikai, a linked-verse poem that consisted of a long series of short stanzas, and the first stanza or starting verse which was known as a the hakku which set the tone for entire poem with a description of the location and the season.
 
The haiku developed into its own form in the late 1800s and retained the the "5-7-5" form of the hakku. It often contained a reference to the season as well, although the sense of location faded in favor of a haiku moment in which man and his location or environment existed in a unified whole without a sense of time that can best be described as an experience of the moment whose quality is enternal and exists solely for its own sake within that wholeness of moment and eternity.
 
The haibun departs from haiku as an explication of a moment of experience in each verse is part of a narrative that explores how that experience came to be. In Haibun: Haikai Press, Beth Viera wrote: "Like haiku, haibun begins in the everyday events of the author’s life. These events occur as minute particulars of object, person, place, action . . . events [that] connect with others in the fabric of time and literature, and weaves a pattern demonstrating this connection."
 
The classic example of haibun is Basho’s Narow Road to the Interior, a travel journal, or nikki. In America, Jack Kerouac and Gary Snyder explored haibun, as did Bruce Ross, Hal Roth, and William M. Ramsey. Even so, haibun is still an experimental form and has many facets yet to be explored.
 

If we could see what

We could be, would we not see

What not we are not?

 
I respect, appreciate and an am a bit terrified at the form myself, although the temptation is completely irresistible. I have taken the concept of the travelogue and applied not to location so much as time. My narratives are travelogues of my life and travels as I experienced each in combination with the other. I primarily use the "5-7-5" format but with an embedded rhyming scheme in which at least two of the lines have an actual or implied rhyme, sometimes at the end, sometimes internal, to provide an alliteration that reinforces the experience. There are variants of course, but I try to combine the elements of form and function in a tightly constructed poem that explodes into multiple, enchanting and unexpected insights from humor to self-revelation to enlightenment.
 
For me, hiabun is a journey of me, a travelogue of a life beginning and continuing, and once begun, wandering forever into time, forever into eternity.
 
 

Eternity has

No beginning. No ending.

Forever, now is.

 
 
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Does She Exist?

 

Intelligent men

Believe in God. Assuming

God believes in them.

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A Million Plus Days Since Rome Began

 
Today marks 1,008,888 days since the traditional founding of Rome on April 21, 753 BCE.
 
 

History written is a chronicle. History viewed through the prism of poetry captures the essence of lives lived and events experienced, reflecting the sensibilities and foibles of the times, whether picturesque or epic or mundane, whether vain or glorious or merely foolish, satisfying or shocking, imaginative or pedestrian. Poetry wrings the truth from metaphor, touching both the mind and heart. Poetry is the voice of our conscience.

 

I was there, you know

With Romulus and Remus

Ceasar. Cisero.

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Brightside – Haverhill Goes Green

 
  I introduced a new song yesterday at Brightside’s Haverhill Goes Green fair at Winnekenni Castle, an enviromental and earth-themed festival where more than 2,000 attendees strolled through tents filled with exhibits on alternative forms of energy from solar to wind to geothermal, learned out to mix enviromentally safe cleaning and polishing agents, sample organically grown food, and got a look at hybrid vehicles from a sedan to a hybrid touring bus.
 
  In addition to the exhibits, there were speakers on going green and panel discussions on the ecology and the environment that ranged from how to make a building green, invests and expand green industries, and the effects of environmental change.
 
  Of course, the River, our local radio station, was there, and the Elle Gallol band–which was underwritten by a grant from the Haverhill Cultural Council (of which, in the interest of full disclosure, I am a member).
 
  Normally, when I am invited  to speak at an event, it’s to read one or more of my poems, and sometimes, I even write a commemorative poem dedicated to the event, but this year, I decided to do something a little different–sing. I’m not that great of a singer, although my shower is enlivened and my cats adore my stylings (mostly likely because I generally sing whilst I ladle out ther repasts), but I thought an appropriate tribute to Haverhill’s greening would be a song that celebrates the city’s unique history that began back in 1640. After all, the muse of the ancients was same for both music and poetry and there is a long tradition of poets singing their poems.
 
  Apparently, it went well. The applause, the comments afterwards, the number of people asking for copies, and the misguided few who actually approached me to buy one of my books, although this was one of the rare occasions when I did not engage in shameless self-promotion. (Fair warning: If you invite me to speak, I usually travel with a stash of books, an autograph pen, and a change drawer.)
 
  And, yes, I will be making a recording of the song and will post it here in the near future. Although I wrote both the words and the music, I am still working on the final arrangement. In the meantime, for those of you who would like to read the lyrics, here are the words to Haverhill:
 
There’s a place I want to be
Between the mountains and the sea
Where a mighty river flows.
Where the skies when blue are bright
And the stars have names at night
And every house has a friend
  everybody knows.
 
Where the settlers took a stand
Built the farms upon the land
Made a city to which everyone agreed.
Where General Washington came
To the square that bears his name
And Lafayette still strides
  upon his steed.
 
Where the people of the city made shoes
For all the world to choose
In the city’s many working mills.
Where Macy built his first store
And our young men marched off to war
To fight for freedom with pride
  for Haverhill.
 
Where John G. Whittier wrote
In the words of a poet
A tribute to his hometown, Haverhill.
Where Archie went to high school
And Betty and Veronica were cool
And a castle stands guard
  high on a hill.
 
[C] Where the Merrimack River plies
And the mighty eagle flies
O’er the Gold and Silver Hills of Haverhill.
And when I die, I want to lie
Beneath God’s own New England skies,
Near the Gold and Silver Hills
  of Haverhill . . .
 
[C] Where the [mighty, mighty] Merrimack River plies
And the [mighty, mighty] mighty eagle flies
O’er the Gold and Silver Hills of Haverhill.
And when I die, I want to lie
Beneath God’s own New England skies,
Near the Gold and Silver Hills
  of Haverhill . . .
 
Words and Music Copyright 2010 by Dan Speers
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Fueled by FOX, Fooled by FOX

 
Two really big scandals have plagued FOX during the past week and put the lie to their fair and balanced nonsense. Sean Vannity was caught shilling in a Cinninnati Tea Bagger Fund Raiser and was yanked out by furious executives who bowed to pressure from various real news organizations and industry watch dogs. http://mediamatters.org/research/201004150087?lid=1110501&rid=45253750
 
And Bill O’Reilly continued his ongoing prevarications denying that no one on the FOX network said that jail time was the penality prescribed in the new health care legislaiton for refusing to buy health care insurance.
 

O’Reilly spent last week reminding us of his willful ignorance by repeatedly falsely asserting that "no one" on Fox promoted the falsehood that "jail time" was a penalty for not buying insurance under the health care reform bill. As Media Matters reporterd, he "was outrageously wrong."

But the worse thing that these FOX personalities and their fellow GOP sychophants do is actvely promote events, causes and fundraising for the RepubliCant Party. You can read "the  massive scope of Fox’s fundraising for the GOP" yourself.

I actually wrote the following poem several weeks ago, but it is as true today as it was then:

Says Roger Ailes, who’s crowing like a cock,
"I’m in ratings. I’m winning." Winning what?
The most biased news in any time slot,
Makes of Sarah Palin a laughing stock
As buyers withdraw ads from Glen Beck’s schlock
While those FOX and Friends turn back the clock
And RepubliCons put their souls in hock.
In politics, Roger Ailes says he is not,
He’s right, he’s not. Deception’s all he’s got
And fools too dumb to know it’s all a crock
And that they’re sheepish tools in Murdock’s flock.

 

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